All that said, both series  made an indelible impact on the publisher at large. Both featured legendary creators and both were severely delayed… reinforcing the notion that good art can’t be rushed! 
​

The story follows Superman as he accomplishes each of those 12 Labors, touching upon all aspects of the Superman mythos: from his relationship with Lois Lane, relationship with Jonathan Kent, jealousy from Lex Luthor, weakness to kryptonite; am no meaning you Bizarro, Kandor the Bottle City - it’s all there, except for perhaps the presence of Brainiac.

In the end Superman does transcends life, sacrificing himself to save all humanity yet again. 

In my opinion, this is the best Superman story of all time. The only ones that might have a case are the two Alan Moore Superman tales: For the Man Who Has Everything or Whatever Happened to the Man of Tomorrow?

THEMES

What makes All Star Superman so good is the interpretation of Superman as a mythological god. Grant Morrison has revisited this theme time and time again, and it’s, for me, the core of DC Comics as a whole; unlike Marvel superheroes, who are presented as fallible humans, DC heroes are divine heroes upon which the symbols of man wrought large.  ​
All Star Superman distills many of Grant Morrison’s beliefs, including his belief in Chaos Magic / Alchemy, into a story that is heartfelt, nostalgic, and pure in its intent. There’s no hint of cynicism in this Superman; he does good because he is good, sees the good in others, and believes in all of us. 

Hey Folks! 

We recently put up artist submissions over on our email: submissions@mythopoeia.us. We went through all of the regular comic channels, which to us looked like /r/comicbookcollabs, Deviant Art, the Facebook group Connecting Comic Book Artists and Writers, and the old stomping grounds of Digital Webbing! 

Looking for artists is always a fun experience for us. We love looking through portfolios and seeing what kind of new talent is out there. That said, thought I'd explore a little what we think makes a good portfolio and what should be included when looking for art jobs. 

So all of this is just from our experience over the years and our preferences. There's not a single format for these things. Okay? Alright. Here we go.
​

The instructions are always the first test to any job postings. Oftentimes employers will ask you to format your email in a specific way and to only send samples to a specific email. Make sure you follow the instructions to the letter. 

For our submissions, we will only look at the email: submissions@mythopoeia.us. If you send us a direct message or send your portfolio to other emails we will ignore them for the most part. Don't do that. Sometimes we'll ask to give the email a specific title. This is a test to make sure you follow the instructions.

​For any sort of job or formal application, make sure to always read the instructions carefully. 

Your submission should consist of a short cover letter and a clear link to a professional portfolio. Your portfolio should be easy to navigate and contain all of the samples you'd like to show on one page.

Oftentimes, we'll get multiple links to individual art. While we still look at those portfolios, it leaves a bad first impression. We go through hundreds of portfolios every time we post. The easier you make it for us to go through them, the more favorable our opinion is. 

Chances are if you send multiple links we'll only click on one of them, and oftentimes we don't click on the first one.  The only way to make sure we see what you want us to see is by sending one link, clearly indicated in a cover letter or as an attachment. 

Introduce yourself and how you found the job posting and why you think you would be good for the job. No need to go crazy here - maybe 200 words maximum. Still, it's nice getting a feel for who we're talking to and is much preferred over just a blank email with an attachment.

On the opposite end of the spectrum, don't write an entire essay. Like in life and dating, if you make it known you want something really bad it can come off as desperate. 

We can tell within ten seconds whether or not a portfolio is going to make it to the next round. That's why we recommend keeping your portfolio simple and clean and to make your best samples the most prominent.  Although separate from the technical aspects of art, if you show strong design skills in the layout of your portfolio it shows strong visible sensibilities which is always a plus.

At the end of the day it's about the art. If you have the goods, the above is sometimes optional but still an indication of professionalism. Make sure you have a varied portfolio that shows different aspects and techniques. For comic sequentials, here's what we think is important:

• Framing
• Expressions
• Anatomy
• Movement
• Background 
• Perspective

If you're looking to work in comics, we highly suggest having work that covers the technical know-how above. We recommend having between 5-8 piece in your portfolio. Anything more than that probably won't get a look. And although we're not artists ourselves, we usually can tell when there is a technical deficiency in work. 

A common mistake we see is relying two much on one character / two character composition in the form of pinups or covers. Those are great, but make sure if you want to work in sequentials to show you can frame and draw perspective too. It doesn't necessarily have to be a sequential page, but we need to see that in your work. 

--------------------------

Thank you everyone who submitted! We love seeing artists work and wish we had time to respond each and every one of you.

If you'd like to see what some good looking portfolios look like, check out Pixpa's Article on Artist Portfolios here! 


Hope this was useful to somebody. Keep working on honing that craft!

Ray